“圣女祭天,得碧罗天宝藏者得天下”。因为这句坊间传言,“圣女”花不弃是唯一能打开宝藏的关键所在,被多方势力觊觎。花不弃从小就跟着九叔颠沛流离受尽苦难,后遇见了一直爱慕的大侠莲衣客,却没想到莲衣客是一心想夺帝的七王爷独子陈煜。因此花不弃和陈煜的感情之路坎坷曲折。花不弃九死一生逃回江南,却发现她早已经和东方炻有了婚约。东方炻的外公也想利用花不弃得到宝藏,可东方炻爱上了花不弃,不想花不弃受到任何伤害。多方权势下,江湖纷争不断…
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民国江云镇豆腐老板诡异惨死,小女孩撞见亡母坐红衣花轿现身。落魄侦探奉命查案,意外发现本该葬身猪笼的大太太死而复生,伪装出马仙复仇,顺带揪出豪门鸦片走私黑幕。
罗斯(大卫·休默 David Schwimmer 饰)决定和邦妮分手与瑞秋(詹妮弗·安妮斯顿 Jennifer Aniston 饰)复合,可因为瑞秋让他认错而依旧分手了。菲比(莉莎·库卓 Lisa Kudrow 饰)成为了弟弟小弗兰克和艾丽丝的代孕母亲,人工受孕怀了三胞胎。罗斯与英国女孩艾米丽相恋,决定在伦敦结婚。由于怀孕的菲比和有旧情困扰的瑞秋的两人留在纽约,其他人都赶赴伦敦参加罗斯的婚礼。婚宴上,摩妮卡莫妮卡(柯特妮·考克斯 Courteney Cox 饰)触景生情,竟和安慰她的钱德勒(马修·派瑞 Matthew Perry 饰)发生了一夜情。意识到自己仍爱着罗斯的瑞秋决定飞赴伦敦挽回。但当她看到幸福的新人,决定不扰乱这个婚礼。但最后在罗斯在做婚礼宣誓时,却将艾米丽的名字说成了瑞秋......
柳美里(庭沼珉 饰)刚跟未婚夫金宇宙解除婚约,却意外中了豪华新婚房! 为了500万新婚豪宅,找来同名的男子金宇宙(崔宇植 饰)假结婚,为期90天的假结婚挑战就此展开。
因为15岁春天的一见钟情,小动爽太(松本润 饰)对美丽的学姐纱绘子(石原里美 饰)便展开了长达一整个高中时代的苦恋,这份不曾改变的心意终于在圣诞节前夕有了结果。不温不火地交往了几个月后,爽太被纱绘子轻易甩掉,他以为自己惨遭“劈腿”,谁料纱绘子从不曾承认二人的恋情。 为了 挽回深爱的纱绘子 ,毕业于糕点学校的爽太远赴巴黎,到纱绘子最爱的巧克力作坊“幸福作坊”学习,势要成为巧克力职人。六年后爽太功成名就,带着光环回国开店,成为相当瞩目的“巧克力王子”。这一切,其实都是为了喜爱巧克力的纱绘子。终于,心中的女神纱绘子出现在爽太的店里,这一次,她会回心转意吗…… 本剧根据水城雪可奈的同名漫画改编。
本剧改编自同名漫画,讲述了“不能越过家中贴着的胶带”的规则,被迫在家庭中过着孤独生活的男人篠谷令太郎和想要解开复杂的“家庭猜谜”的女儿一花以家庭再生为目标的故事。
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余满月(杨茜尧 饰)表面上是一位光鲜亮丽、擅长处理危机的公关专家,背后却隐藏着一段深重的悲惨过去。十八年前,她与妹妹被富三代蒋基俊(马志威 饰)侵犯,并因此遭遇家庭巨变。这段经历让满月立誓复仇,她隐忍十八年,终于成功接近蒋家……
督察戴安娜(宣萱 饰)一直安逸于档案管理的后勤岗位,因缘际会跟元祖级陀枪师姐陈三元(滕丽名 饰)、飞虎队男神蒙汉森(陈豪 饰)合力破案后,被上司韦展超(许绍雄 饰)安排加入悬案小组,与一班各有「特色」的警员,在汉森带领下追查外界不关注的悬案。汉森不满安娜而互相斗法,直至揭露安娜因曾被胁持而恐惧用枪,反令二人擦出爱火花!安娜重遇多年前惨遭灭门的补习学生刘达华(罗子溢 饰),他却加入了黑道……在感情与内疚推动下,安娜能否拿回手枪重新振作,成就新一代的「陀枪师姐」?
Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James. Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe. This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle). Commented John Simm: “I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.” Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective. Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m. Commented Huw Kennair Jones: “We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.” Executive Producer Patrick Schweitzer said: “I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.” Author Peter James said: “As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.” Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios. Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four. Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer. The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years. In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances. You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police. The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.