刚从大学毕业的Mon在一家大公司实习,她很崇拜Sam,这位年纪轻轻就成为超级富豪的女总裁。然而,当Mon近距离接触到Sam时,完全颠覆了她心中的想象,因为真正的她并不像媒体所展示的那样。
星期五 更1
故事发生在一家名为卢蒙的超级大公司内,一种名为记忆切割术的全新技术正在公司内部进行实验,接受了手术的员工将进行人格分离手术,形成公司人格和日常人格。这项大胆的“平衡工作与生活”的实验受到了质疑。员工马克发现自己身处一个谜团的中心,迫使他面对工作和自我的本质。 第二季中,马克和他的朋友们了解到切割记忆的可怕后果,使他们走上了更加痛苦的道路。
该剧是讲述在聚光灯背后操纵这个世界的真实政治玩家们的危险赌局,将描写指向权力顶点的超级辅佐官张泰俊的炙热的生存故事。 李政宰饰演张泰俊,他是4选议员的首席辅佐官,他以第一名成绩毕业于警队,曾活跃在搜查前线,但为了拥有更大的权力而进入国会,是一个把不可能变成可能的超级能力者。他有着出众的直觉和冷静的判断力,自在地游走在边界线上,以偏执的胜负欲把自己辅佐的议员推到党内代表的位置上。但他并不满足于现状,指向权力顶点的更大的执念隐藏在他柔和的笑容下。 申敏儿饰演女政治家姜善英,她当选了比例选区的议员,并成为所属党派的发言人。
每天 12点更2
星期一 12点更6集 星期二 12点更2集 星期三 12点更2集 星期四 12点更2集 星期五 12点更2集 星期六 12点更2集 星期日 12点更2集
职场新人许星澜(龚婉怡 饰)意外穿越到了古代并与自己的刺杀对象——安晋城二少主宇文衍(何昶希 饰)相互绑定!阴差阳错地开启了两人相爱相杀的“猫鼠游戏”。并且她利用现代思维在安晋城开启了从“第一女杀手”到“第一女官”的奇妙之旅。
一枝梅原本是中国话本小说《欢喜冤家》中第24回故事中登场的一个人物,而随着该《欢喜冤家》在朝鲜时代后期传到朝鲜,故事中的人物形象也开始出现在朝鲜的文学作品当中。 李谦(李俊基 饰)9岁时目睹父亲被杀,母亲和姐姐沦为阶下囚,因为受不了打击失忆,后来成为了铁石家的养子,被取名勇儿。渐渐长成为一个小混混。偶然机会恢复了记忆对父亲的死开始怀疑起来,而唯一的线索就是刺死父亲的剑上的图案,为了寻找到那把剑,勇儿成为了小偷,成为了江湖上盛名远扬的侠盗一枝梅。他专门惩罚有钱有势,有武力的贪官,与当权者和腐朽的社会制度进行抗争。由此他也成为朝廷官员们最痛恨的罪犯,以及穷困百姓们的希望,然而无论百姓和朝廷官员都不知道他的真正来历。偶然的机会下,一枝梅与贵族卞植(李元钟 饰)的女儿卞恩彩(韩孝珠 饰)相遇,并陷入爱情。 最终一枝梅是否能找出当年父亲遇害的真相?
大学生西条朱音(宫崎优 饰)是怀抱梦想的鼓手,却遭乐团无预警除名。她在人生谷底遇见了才华洋溢的音乐家藤谷直季(佐藤健 饰),获邀加入对方新成立的四人乐团TENBLANK当鼓手。 藤谷的作曲无懈可击,乐团的演出魅力四射,TENBLANK很快就掳获大批粉丝的心,在世界各地掀起风潮。然而随着乐团走红,现实的残酷考验也将接踵而至。
每天 19点更2
改编自梦三生同名小说 官媒世家的娇宠千金施伐柯遇上了下山来寻“小妹妹”的匪气十足的全能“匪二代”陆池,她一心重夺“天下第一媒”的荣耀,陆池只得化身“护妻号”踏上“追妻火葬场”之路。两人历经种种坎坷,合力解决了多起婚恋难题。最终,施伐柯续写了家族荣耀,而陆池也协助皇帝守护了天下太平。被皇帝封为“天下第一媒”的施伐柯和她的“小哥哥”陆池喜结连理,共享太平盛世。
Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James. Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe. This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle). Commented John Simm: “I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.” Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective. Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m. Commented Huw Kennair Jones: “We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.” Executive Producer Patrick Schweitzer said: “I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.” Author Peter James said: “As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.” Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios. Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four. Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer. The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years. In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances. You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police. The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.