星期一 20点30更1集 星期二 20点30更1集 星期三 20点30更1集 星期四 20点30更1集 星期五 20点30更1集 星期日 20点30更1集
處境劇的御用監製羅鎮岳已經準備開拍新一套處境劇，暫定叫《愛．回家之開心速遞》，「過往的處境劇都是以家庭為主，今次當然不例外啦。而故事除了家庭，因為網購現在都好hit，就會講到一間百貨公司，入面開設的網購部，是從這裏開展出來的故仔。」
此剧讲述了被狡猾的骗子无端灵魂附体的正义警察和挑剔泼辣的女记者之间发生的奇幻搜查罗曼史故事。
星期一 12点更1 星期二 12点更1 星期三 12点更5 星期四 12点更2 星期五 12点更2 星期六 12点更2 星期日 12点更1
白夜系列之《白夜破晓》讲述了被灭门惨案牵连的双胞胎兄弟关宏峰和关宏宇（潘粤明 饰），与隐藏在暗处的犯罪组织对抗，联合多方力量，追查“2·13灭门案”真相，最终光明战胜黑暗的故事。
星期一 上午更2集
该剧以得克萨斯州西部的石油钻井平台世界为背景，在那里，“钻工和野猫式的亿万富翁正在推动一场巨大的繁荣，它正在重塑我们的气候、经济和地缘政治”。
本剧改编自早见和真的同名小说，描绘了马主家族波澜起伏二十年的故事。税务师栗须荣治（妻夫木聪 饰）在父亲去世后内心空虚，因一张靠新手运气压中的马券，机缘巧合之下成为了人力派遣公司“皇室人力”的独裁社长山王耕造（佐藤浩市 饰）的秘书。山王痴迷赛马，一心追求冠以“皇室”之名的马匹获胜，二人携手进军有马纪念赛。与此同时，山王的情人之子中条耕一（目黑莲 饰）也出现了...
爱需要付出是真的吗？给“一个贪得无厌的人” 但她给了…“因为她想要”还是“因为我想要”？！？
每天 更2
该剧为长春城市文旅微短剧。当年奇怪分手的蓝小川（金子璇 饰）与云飞（耿业庭 饰）在航空展重逢，却发现双方父母正在秘密黄昏恋，昔日恋人要变成拼盘兄妹。与此同时，围绕航空模型保护的风波迭起，一出冲突不断又温馨、温情的爱情故事即将上演。
黑客开始将学生们最不可告人的秘密泄露给整个学校后，国立高中的社会秩序发生了翻天覆地的变化。原本受欢迎的孩子遭受欺凌，而原本被排斥的人地位上升，每个人都是嫌疑人。不喜社交且爱逞能的索菲娅喜欢推理，她必须争分夺秒，才能在黑客泄露更多秘密之前把他揪出来。在这个过程中，她将学会如何交朋友、理解他人的处境，甚至坠入爱河。
剧集以清代社会历史为背景，主要讲述了出身市井的痞赖少年韦小宝因机缘巧合闯入江湖和皇宫，从此凭借超凡智慧周旋于武林门派和朝堂官场之间，并一路向上攀升的反转传奇故事。
本剧改编自同名漫画，讲述了“不能越过家中贴着的胶带”的规则，被迫在家庭中过着孤独生活的男人篠谷令太郎和想要解开复杂的“家庭猜谜”的女儿一花以家庭再生为目标的故事。
Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James. Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe. This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle). Commented John Simm: “I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.” Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective. Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m. Commented Huw Kennair Jones: “We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.” Executive Producer Patrick Schweitzer said: “I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.” Author Peter James said: “As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.” Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios. Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four. Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer. The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years. In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances. You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police. The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.
